Eröffnung:
DO, 27. April 2017, 19h
Öffnungszeiten der Ausstellung:
FR, SA 28. – 29. März: 12h – 17h

Andrej Polukord

– „Brot“, aus dem Multifunktionsfilm No.1, 23,5 x 30 cm, Öl auf Leinwand, 2017
– „Schaufel“, Objekt aus dem Multifunktionsfilm No.1, 206,5 x 33 cm, 2016
– „Multifunktion No.1“, erster Film aus der Reihe „Multifunktion“, Video, 2017
– „Brot“, echtes Brot, Zutaten: Roggenmehl, Wasser, Kümmel, Sauerteig, 39 x 23 cm, 2017

Bread
Black rye bread – very old, recipe based on deep traditions.
My great-grandfather ate bread. My grandfather ate bread too.
My 80 years old grandfather grows everything himself. He cares for a land of 300 x 100m where he grows vegetables, 3 goats, 2 pigs and 40 chickens.
One day, when I was visiting him – he climbed up on the roof way up to the rooftop, so that he could change a broken slate sheet.
Looking at him I knew, from where he was having such energy – Bread.
Black rye bread.
My father ate bread. No matter if he would eat soup or pasta, meet or grits, he would eat that with bread. My father is 54. Alone in the forrest he carries a carriage filled with 200 kg of logs uphill and further way home.
When I was born – first meal I liked to eat was bread. When I was a small kid, my mother would fill up a full plate of soup. I didn’t like the soup. I ate one third of it. However bread is what I ate a lot. So instead of soup with bread my meal changed to bread with soup. After such a meal – I went to run outside with kids and climp up the trees till late night. My mother always wonderd – from where I am getting this energy.

In 2011 I went to study abroad. In Vienna everything seemed so expensive to me. The food seemed expensive as well. After 2 years, I came back to Lithuania and I found that a terrible thing. All food product prices started to grow very fast. Bread as well. Bread I liked the most. So I build a little bakery and started to bake bread. Since 2015 every two weeks I bake bread.


Frederike Schweizer

– red/blue/yellow, 144 x 286 cm, gestickt auf Leinentuch, 2017
– red/blue, 159 x 192 cm, gestickt auf Baumwolltuch, 2017

Das Zwischen, der Raum dazwischen, wird erst sichtbar durch die Naht. An
den Rändern und Bruchstellen bemerkt man den unfertigen, sich auf etwas beziehenden Zustand jeder Welt. Es gibt im Werk von Fredri­ke Schweizer keine „Werke“, vielmehr kommunizierende Systeme. Zerbrochen, nicht fertig gestickt, nicht mehr zu reparieren oder noch nicht begonnen (gesehen zu werden)?
Der Schnitt : Wunde oder Ereignis? Unverbunden liegen Rot und Blau doch im System des Blutkreislaufs begründet, dieses findet seinen Weg. Es sind die Lücken, dort wo die bändergeschmückten Nähte aufklaf­fen, die das große Tuch aus mehren unbehandelten Leinenstücken zu Grenze und Verhüllung machen, den Raum davor vom unsicheren Raum dahinter scheiden und zueinander in Beziehung setzen. (Daniele Hölzl)

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